LOOK: "Albino Mayan," from Glimpses by fucoid

Albino Mayan, Solola, Guatemala 11.16.11 (from Glimpses) by fucoid

LOOK: Bus Terminal from Glimpses by fucoid

LOOK: Bottle Collector from post-Soviet identity project, by fucoid
LOOK: Stockman Sales Clerk from Finnish portrait series, by fucoid

WATCH: Fat mexican rambo sing and dance (badly)

Diego Alione: A Rambo No Le Gusta La Guerra

I like this, sans irony. It's the little things that make living in strange places worth it, example: pop mutations. Ephemeral amalgamations of junk culture speak fascinating langauges. Want to say more, but 1) Pico Iyer exploded that niche decades ago, with some really great books and 2) just watching is almost enough to intuit what I want to write but do not feel like doing right now because I am actually pretty hungry and also need to do quasi-real work and then run to the...¹

1. Lest I generalize the audience, Rambo is a transnational/transgender/transgeneracional brand. So is Mexico.

WATCH: Freakish Soviet horror film, Viy (1967)

WATCH: Soviet animation, Hedgehog in the Fog (1975) by YuriyNorshteyn

WATCH: Surrealist stop motion, Street of Crocodiles (1986) by the Brothers Quay