After a few weeks of uninspired movie-watching, I ran into a batch of regional gems. I will begin with Soviet horror classic, a Gogol adaptation lit up by effects master Aleksandr Ptushko, "Viy" (1967):
"This Russian film adaptation of Nikolai Gogol's story was for a long time the only horror film made in the Soviet Union. Khoma (Leonid Kuravlev), a young novice, travels across the countryside and stays for a night in a barn that belongs to an ugly old woman. When she attacks him at night and takes him for a broom ride, the scared novice fatally wounds her, and before she dies, she turns into a beautiful young noblewoman (Natalya Varley). The latter leaves a will, according to which Khoma should pray for her for three nights in the chapel until her body is buried. At night, the witch rises from the coffin and tries to catch Khoma. She flies around but she can't reach him or see him because he stays inside the circle that he has drawn around himself. During the third and last night, the witch makes the last attempt to scare him out of the circle, and she calls all sorts of ugly creatures to help her... Gogol wrote several stories based on Ukrainian folklore, many of them dealing with the Devil and the supernatural."
The following is the beginning of the climax, as the witch summons her horde of demons. Dig the stellar and (and genuinely creepy) retro effects work and early Sam Raimi vibe (flavors of Evil Dead?):
A remake is being released in Russia later this year... and it looks lo-res CGI awful. Meanwhile, Italian horror maestro Mario Bava helmed a forgettable (for me) AIP adaptation back in 1960, known in the US as Black Sunday, which I wouldn't mind re-watching now.
WATCH: Soviet animation, Hedgehog in the Fog (1975) by Yuriy Norshteyn
WATCH: Surrealist stop motion, Street of Crocodiles (1986) by the Brothers Quay
Reality can be a bitch!
1 day ago